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・ Hugh Owen (educator)
・ Hugh Owen (topographer)
・ Hugh Owen Thomas
・ Hugh P. Baker
・ Hugh P. Boon
・ Hugh P. Harris
・ Hugh P. Mullin
・ Hugh P. Thompson
・ Hugh Paddick
・ Hugh Padgham
・ Hugh Page
・ Hugh Palliser
・ Hugh Panaro
・ Hugh Panero
・ Hugh Park
Hugh Parker Guiler
・ Hugh Parmer
・ Hugh Paterson Innes
・ Hugh Patrick Guarin Maule
・ Hugh Paulet
・ Hugh Peacock
・ Hugh Pearman
・ Hugh Pearman (architecture critic)
・ Hugh Pearman (cricketer)
・ Hugh Pearson
・ Hugh Pearson (Dean of Salisbury)
・ Hugh Pearson (disambiguation)
・ Hugh Pemberton
・ Hugh Pembroke Vowles
・ Hugh Pendexter


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Hugh Parker Guiler : ウィキペディア英語版
Hugh Parker Guiler

Hugh Parker Guiler (15 February 1898 – 7 January 1985) also known as Ian Hugo was Anaïs Nin's husband from 1923 until her death in 1977, and a skilled engraver and filmmaker in his own right.
==Biography==
Guiler was born in Boston, Massachusetts, lived in Puerto Rico as a child, went to school in Scotland, and graduated from Columbia University where he studied economics and literature.
He was working at National City Bank when he met Anaïs Nin. They married in March 1923. In 1924, they moved to Paris, and in that city Nin’s wrote the best known part of her famous diary. In 1939, shortly before World War II, Parker and Nin moved back to New York City. In 1940, he took up engraving and etching, studying under Stanley William Hayter of Atelier 17 in Paris, producing surreal images that often accompanied Nin’s books. He received advice and instruction in filmmaking from Alexander Hammid, who told Guiler "Use the camera yourself, make your own mistakes, make your own style". He adopted the name Ian Hugo in the 40's when he began making experimental films, some starring Nin.
His successful banking career supported not only the very late recognized artistic work of his wife, and later his own, but also that of Henry Miller and to a lesser extent of various other artists. His unusual tolerance and unconditional love, as well as his income, made Anaïs' unusual work and life possible.
Because of Anaïs' Madame Bovary way with money, his dedication to the arts and taking more risks later in life, he needed the money that Anaïs' writing brought so late in their lives. His own art was never financially successful.
The film ''Bells of Atlantis'' (1952) features a soundtrack of electronic music by Louis and Bebe Barron, and stars Nin as a mythical queen of Atlantis. In ''Jazz of Lights'' (1954), also featuring a score by the Barrons, the street lights of Times Square become, in Nin’s words, "an ephemeral flow of sensations".
Hugo lived the last two decades of his life in New York City, dictating his memoirs and continuing his engraving and filmmaking work. He briefly met Nin's other husband, Rupert Pole, after Nin's death in 1977. Even though Nin and Pole's 1955 marriage was annulled in 1966, Pole was Nin's literary executor after her death.

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